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«Denials, Decoys», 10’13, ©2022 / (no.1,85-22/3) Micah Weber

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[synopsis:] The cut is a cipher for the dissolution of the self; and this dissolution of the self is a cipher for political consciousness in materialist-film theory. Every image and sound contains the capacity to resist perception. Through refusing identification, they enter a refuge of negativity (imagelessness, and soundlessness). There is no narrative, no memory, no subject, and no aim; but to slip away, through time; out of time; in time; for an end of time.


53rd International Film Festival Rotterdam, 2024
San Francisco Cinematheque CROSSROADS, 2024
Barcelona Independent Film Festival, l’Alternativa, 2024

[trailer]
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